Copy that into your editor, making sure to match the playback voice from the WAV we just imported. We can see that the line “Stay Still With Me” consists of a D gliss into Eb, F gliss into G, ending on C. Take a look at Melodyne again and note the distinct melody notes, representing AVANNA’s voice. Step 3: Creating the VSQX/USTįinally, we’re going to start creating the VSQ. You may have to set Quantize in the upper left corner to “Off” while you line the track up. Make sure you line up the beats of the song to the marker lines to ensure you get you’re timing right. If you’re using UTAU or VOCALOID2, ignore this. Then, load up your WAV into VOCALOID3, VOCALOID4, or CeVIO. Be sure to set the tempo to the number Melodyne gave us or you won’t be able to time your notes right. We’ll be using VOCALOID4 for this tutorial. Once you’re ascertained the tempo and key of your song, open up VOCALOID3/VOCALOID4, CeVIO, or your MIDI composer if you’re using UTAU or VOCALOID2.
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We will copy this into whichever synthesis software you’re using. The main vocal track is highlighted in red. Here we see the tempo is 177.998, which we round up to 178. Click Correct Pitch in the upper right corner to get your key. If you get a decimal, round to the closest whole number (109.89 becomes 110, 100.23 becomes 100, etc). WARNING: It may take a while to process and it may look like it’s frozen, but it’s not! Be patient and let it work through the audio!Ĭlick into a substantial part of the song to get an accurate tempo reading (Melodyne’s tempo scan is dynamic, so it registers the beginning and end of the song as different tempos as it fades out). Then drop your WAV file into Melodyne and let it process. This is so Melodyne analyzes the entire song instead of looking for a specific melody line.
Then, make sure the Algorithm in Melodyne is set to Polyphonic. If you somehow ended up with a WAV, still load it into your software for conversion since encoding can get messed up when downloading online, and VOCALOID is very picky about that.Įxport the entire file as a WAV, then close Audacity. Then, open Audacity or your preferred audio conversion software, and drop your MP3 in.
If all goes well, you should get this interface: Don’t forget to pick up the instrumental of the song while you’re there! I personally use YouTube 2 MP3 for any songs that don’t have an official download.
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For our tutorial, we’ll be using the song Half-Life by Kenji-B (nostraightanswer).įirst, download the MP3 of your song via Youtube, Piapro, or any other hosting site you can find. So now that you have everything, just pick a song you want to cover. VOCALOID2 can not import WAV files and you will need to download a MIDI composer like you would for UTAU. If you have VOCALOID2 or VOCALOID3, you can use that as your MIDI editor and simply export the MIDI to UTAU if you wish. This is because VOCALOID3, VOCALOID4, and CeVIO have the ability to load WAV files directly into their editor for playback, while UTAU does not, and this is key to our tutorial. If you only have UTAU, pick up a free MIDI composer, like Anvil Studio or MuseScore. A vocal synthesizer application, be it VOCALOID, UTAU, CeVIO, or something more exotic.
VOCALOID and Melodyne both only accept WAV files, unfortunately.ģ. Audacity or some other audio software that can convert MP3 files to WAV files.
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I have the full purchased version of Melodyne, which I use as a VST in FL Studio for VSQ making, but for our tutorial, you can download the free demo version of Melodyne here.Ģ. This is audio recognition software that can accurately map out the pitch of a song’s notes, its key, its tempo, and other information. If you’re not trained to recognize every note by memory (which almost no one can, especially in complex music), then you’ll need Melodyne by Celemony. I’m going to show you the easiest way to create accurate and fast song files.
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I’ve noticed many people want to learn how to make VSQs, USTs, CCSs, and other sequencer formats for VOCALOID, UTAU, CeVIO, and such. Opal’s Tutorials: How to Make VSQs and USTs